This book has been written, compiled, edited and
arranged by Abu Bakr al-Uppsalawi at various locations around Uppland, which is
a historical province of east-central Sweden. It was conceived, elaborated upon
and edited more or less continually (but with varying intensity) starting around
2012 and reaching completion as I write this introduction, late 2019. The vast
majority of these pieces however had already been written as of late 2018, with
editing work dragging on lazily until April of 2020.
This book is thought of as a compendium of my personal
spiritual and existential-philosophical development across many years of time;
therefore, it is not correspondent to, nor representative of my current
world-view entirely. Although most of its more intellectual and philosophical
contents are merely immature approximations of positions I hold firmly to this
day, there are many ideas, fantasies and ideals that has since burned off me
like dead-wood after forest-fires. Thus,
the world-view interwoven into this text is almost like some embryonic
spiritual pellet I have vomited forth when having tried to digest existence
itself. For this reason, I consider many of these texts as a coming-of-age
style of literature: a weirdly dark, vertiginous, hallucinatory and (hopefully)
unsettling bildungsroman-esque labyrinth of poetry, stories, historical
accounts, philosophical observations, et cetera. As you may notice, I feel it
important to concede that many of the ideas presented hereafter are stupid,
stupid, silly, ridiculous ideas. The most pubescent remarks of anti-Christian ire, for
example, I have left in the book, and I would lie if I told you that it was not
left for reasons of nostalgia but also because I am a lazy fuck and I am so
sick and tired of this shit book… I cannot edit this shit anymore and I just
want to move on with my life. There are many passages and texts which recur; a
poem, for instance, might also be found interwoven into some other, longer story. It is what it is. It cannot
fucking be bothered with anymore… but at least it is authentic! Yes, God knows
that on many days, happy ones and gloomy ones, I despise this great excuse of
literature, philosophy and theology, but it has been such an important
cornerstone in my adult becoming that I simply cannot look the other way until
I consider it finished for good. A lot of this material stems from my years of
existential angst, drug experimentation and nihilism (I have not entirely moved
on from these things but I have found other things as well that may complement them
sufficiently, and I have found God to give me the deepest meaning in this existence),
and it can be cringy and embarrassing many times to read it because it exposes
such a pathetic and lousy character – my character. Furthermore, it is
in my strong interest to note that this book is an Endcommunean work of art and
it is my own pathetic Zibaldone di pensieri – as aforementioned,
it is a vague collection of personal impressions, moral reflections, thoughts
about God and religion, aphoristic utterances, philosophical observations, some
socio-cultural analysis and some mediocre-at-best “poetry”. It is a miscellanea of my subjective and
personal existentialism. It is dedicated probably first and foremost to
Isidor Ducasse, the Comte the Lautreamont. This work is basically my futile
attempt at creating an own Maldoror, my own Golem of diabolic literature, for
it is the crowning achievement of all poètes maudits, and
I follow the spirit of Maldoror in its tracks. I will never be able to
wash away that filthy sludge off my hands from turning those malodorous pages
of human grime and evil… and as you can see, reader, I worship him well. And thank
you for the angst, Lautreamont; well-deserved, yes, and well-given! By it, I am
blemished forever.
Hearken: this book is written to the glory of the
Great Elk and of Inanna, my God and my Goddess. It is a dream which you hold in
your hands: the contents of this book and the essences I speak of, which I
present with a coating of naïve but vicious wording, is the dream of a world
proud – and not ashamed – over being ugly. This book, this world, carries its
ugliness like a yoke, and it does so not out of necessity, not as some forced
draconian measure of punishment nor for the cause of some holy martyrdom... it
does so not out of self-pity nor out of the quest for the pity of others, no,
for it carries its ugliness with a thunder and a baritone, almost as if with a
complex and intuitively contradictory confidence, and it does so out of a
purely voluntary acceptance of its own responsibility over the womb-source of
all things ugly with which it is immutably fixed. This world, this book, this
responsibility serves no higher purpose for the betterment of the world as a
whole, no – to hell with all that! I am not here for activism nor for some
charitable cause; I do not want to save the world and I am not here to make
some kind of favor or concession to anyone but myself. From the perspective of
this book I am willing to say: fuck the world. Fuck this world, fuck your
world. The fact of the matter is that it serves my world and it serves my
world only… and it does so with untiring diligence and fervor! I am the author
of my own world, and this book is a sum distillation of it. Am I hyperbolic?
Well, what do you think of this statement: this book will change the life of
every one willing to read it! And that is to say: if you are not changed from
reading it, you do not understand it, and you are too stupid to process or
ponder its viscera... or, on the other hand, perhaps you are just pointlessly
uninterested by the contents of these pages of lugubrium (I am not sure any
person of intellectual stature could see this book as uninteresting, nor could
I imagine any serious psychologist or psychiatrist not taking interest in the
captivating case of its author, but I suppose there are people for
everything)... however, if you are changed for life by having read it, which
you will become if you so do, your life shall never resume its ordinary and
past tracks. And I make this a powerful and authentic claim. Yes, I choose to
make this arrogant and bold statement as my very first of statements in order
to purge myself from my own bravado: from here on, I do not have to worry about
the toxins of this bravado because I have already made introductorily the
ultimate statement of this bravado! And so why do I write this? Why am I
bothered at all? Well, I write because I have no other outlet that can sufficiently
process what I think, what I feel and what I do with my life, and I have to
accommodate my anxieties and I have to nurture these world-views and all my
paroxysmal ruminations willfully – lest they usurp my own golden scepter and my
own ruby crown, and I cannot let that happen. I must get a hold of the darkness
before the darkness gets a hold of me, lest it takes charge the ship on which
they are supposed to be simple rowers! And this psychological mutiny of angst I
will not tolerate! I simply just cannot allow that to happen. Yes, I have to
accommodate my anxieties lest they get the upper hand, and I have decided, bit
by bit, to do so by spilling the ink of love over life's empty papyri, and I do
not yet know if I shall succeed or if I shall fail in this existential
undertaking: the anxieties, I know, will start to haunt and move about like
some frightful spectres in the air around me no matter what I write, but
sometimes they might whisper something encouraging, and when that so happens I
must listen – or else. My point is that if I do not tolerate these anxieties,
and in so doing integrate them, then they shall indeed devour me. So, I write,
and I continue to write. I write as to purge myself, because writing is
thinking, and thinking is contemplating – which is cathartic and
transformative. I write in order to lay to nakedness the horrid permeation of
injustice and absurdity fundamentally constituent to the human condition and
its experience, and I write in order to outline the riches and wealth in the
amorphous and sludgy darkness it grows out of, and I will start with this right
away (because to tell you the truth, I have nothing of higher value to do).
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