27 jan. 2019
25 jan. 2019
I
am a kind and soft soul and I, to my own dismay, would not slash any
throat even in the blackest of thunderous tantrums; no disappoinment,
no betrayal nor even the painful fading of love's flickering flame
would prompt such murderous lunacy in me; I am not the fist of
misogynistic hatreds and violences – rather the opposite, and my
striving for the opposite it ardent, since I intensely loathe the
haters of women; surely at the end of days before the tribunals of
purgatory they shall have their mouths bent open and they shall drink
the piss from the judges of the apocalypse... and these
contemplations take my mind hostage
But
this demands courage: life is not just a scheme to be followed
inasmuch as a dance is not just a physical motion and inasmuch as
love is not just a chemical randomness, some cluster of hormone...
and furthermore, art is not just a chaotic disarray of pigment; music
is not just tones sequenced together! A murder is not just the taking
of a life, and poetry is more than just a long rope of words...
from 2019's best book by a great margin
Beasts
do not hang themselves over the body of a melancholic lover, nor do
they drown themselves in the oceans of questions which emerge all
around the human with every faulty move she makes. No, they can not
value life, nor can they devalue it... at least not like we can. For
them, it just is. They carry on being beasts, and we, we carry on
being human… dogs are dogs; cows are cows; pigs are pigs, and sheep
are sheep. Snakes are snakes, and falcons, they are always falcons.
But humans are something becoming something.
THE TRADITIONALIST
The traditionalist is driven to the cliff's edge; no longer is he content with life in spirit for he is an adventurer by heart: when people are shot and killed on the street, he watches in confused content from his window, and when natural disasters hit, he laughs in pace with the whipping of flood-water; when wars break out across the globe, however far off or close, just he gets the whiff of them, there is a silly side to him, a silly person within him who could not be happier, for the traditionalist is a fish on land in modernity, and he is so bored by the current world that anything which might potentially throw it out of balance will be rejoiced and welcomed by principal. This is what it has become, our modernity: we have filled our heads to their brink but we have emptied our hearts in the meanwhile, and we have depleted our sense for wonder for the bargain of facts and for the adoption of ecumenical morality and the latrine-waste of scientism... it is easier that way.
We scream so loud and we prosper and we develop in what we think is eternity, but we do so without realizing the inherent fallacy of endless growth; because we mock balance and we worship excess. We have become swine of bad standing, and we have lost the nobility of ancestry and of honor; we have replaced tradition with decadence; we have replaced modesty with whoredom; we have replaced strife with technology; we have replaced the adoration of heroism with the martyrization of victimage; every day our finances and our well-being grow in concord with the shrinking of our phalli and we boast our sophistication as our bellies swell in disgusting obesity, as our minds overflow with the weakness of self-pity and as our spines weaken in pathetic fatigue; the modern world has no muscle left, and the wolf is almost extinct here. We brag about philanthropy, humanism, egalitarianism but as we do just this, our children are clawed and ravaged in the darkness of its very negations; we have created a culture where people become "nice", "pleasant" and "decent citizens", but we have completely forsaken how to nurture and foster a hero. This is a culture of mediocrity, where mediocrity is lauded and awarded and where self-constraint and will-power have become some ideals of history better left in the mass graves of some past and primordial primitivity... and this disgusts me profoundly.
War and love eternal.
We scream so loud and we prosper and we develop in what we think is eternity, but we do so without realizing the inherent fallacy of endless growth; because we mock balance and we worship excess. We have become swine of bad standing, and we have lost the nobility of ancestry and of honor; we have replaced tradition with decadence; we have replaced modesty with whoredom; we have replaced strife with technology; we have replaced the adoration of heroism with the martyrization of victimage; every day our finances and our well-being grow in concord with the shrinking of our phalli and we boast our sophistication as our bellies swell in disgusting obesity, as our minds overflow with the weakness of self-pity and as our spines weaken in pathetic fatigue; the modern world has no muscle left, and the wolf is almost extinct here. We brag about philanthropy, humanism, egalitarianism but as we do just this, our children are clawed and ravaged in the darkness of its very negations; we have created a culture where people become "nice", "pleasant" and "decent citizens", but we have completely forsaken how to nurture and foster a hero. This is a culture of mediocrity, where mediocrity is lauded and awarded and where self-constraint and will-power have become some ideals of history better left in the mass graves of some past and primordial primitivity... and this disgusts me profoundly.
War and love eternal.
19 jan. 2019
a lil outline for the polynesian gilga
GREAT MAUI
great maui
swing your stone sword as to cleave the earth
and let muck and soil bleed from the wound
rip it open and steal the fire there within
as to give the powers of it to us humans
when its cold
and when its dark
and when the freezing moon obsesses us
great maui
swing your magic fish-hook crafted from the jawbone
given as a gift of initiation into manhood and into heroism
by murirangawhenua
the grandmother of the hero himsef
great maui
travel quickly like the sun used to do
across the sky kinglike
before your fish-hook caught it
and caused it to slow down
and nowadays tamanuitera the solar king
is in captivity and in submission
great maui
show me the way to death
and let me die the very way you died
my hero
point me the way to the womb-gates of hinenuitepo
the woman of the night and of the sunset
great maui
allow me too to change into the shape of the worm
and enter her glorious vagina
as to escape through her throat
and leap forthwith out of her mouth
as she dwelt the sleep of gods and goddesses
and great maui
allow me too to fail in this plan
and allow me too to be crushed by the obsidian teeth
littered all across the labia
surrounding the collapsed quasar
the ultramassive black hole
that is her beautiful vagina
the cunt from where night itself came
the awesome darkness of hinenuitepo
great maui
swing your stone sword as to cleave the earth
and let muck and soil bleed from the wound
rip it open and steal the fire there within
as to give the powers of it to us humans
when its cold
and when its dark
and when the freezing moon obsesses us
great maui
swing your magic fish-hook crafted from the jawbone
given as a gift of initiation into manhood and into heroism
by murirangawhenua
the grandmother of the hero himsef
great maui
travel quickly like the sun used to do
across the sky kinglike
before your fish-hook caught it
and caused it to slow down
and nowadays tamanuitera the solar king
is in captivity and in submission
great maui
show me the way to death
and let me die the very way you died
my hero
point me the way to the womb-gates of hinenuitepo
the woman of the night and of the sunset
great maui
allow me too to change into the shape of the worm
and enter her glorious vagina
as to escape through her throat
and leap forthwith out of her mouth
as she dwelt the sleep of gods and goddesses
and great maui
allow me too to fail in this plan
and allow me too to be crushed by the obsidian teeth
littered all across the labia
surrounding the collapsed quasar
the ultramassive black hole
that is her beautiful vagina
the cunt from where night itself came
the awesome darkness of hinenuitepo
lonely saturday night batch of zolpies
TWO DAGGERS
mists of vampyric fumes i walk through
with poison-dart and the mana of fire
two daggers are in my belt
and the key and the lock rests in my separate hands
separate like the sun and the moon
or like flesh and man
or like love and romance
but conjoined
except for the last one
THE SEMIEN KINGDOM
the semienite kings erected stelae
to the kingdom of the struggle with god
ethiopian lands
under the flag of the star
judit war command
the queen casts her leather noose
and steers the forces of beta israel
into a battle of redemption and of honor
conducted in a strong and hebraic iron tradition
not even a holocaust could ever quell
WAR AND WILL
war and will
statues of heroism
bronze and terracotta
the hero-gaze of lapis lazuli
or coast-blue
or menses-red
the light emitted from
the unshamed worship of masculinity
cooled in the shadows cast
by great eagles with amber wings
and their beaks as diamond and pearl
held together the manichaean ubiquity of life
steel and marble dedications below their flapping wings
edelweiss and kruppstahl shine above in the horizon
the walpurgis fire luminating it
from down below
NOT ONCE
not once have my body become under attack
and not once blood have spilled to the ground
without I having exercuted proper reprimand
and not once it shall ever ever happen
war and will
retaliation
conquest
the valor of revenge
is a cultural-historical constant
and it is in the core interest of every healthy culture
to perserve it
and to nurture it
FOLD MY SOUL
if i could fold my soul just a thousand times
it would be as thick or thicker
than the conventional dimensions of space-time
TRIAL BY PUBLIC OPINION
female collaborator
passionate romantic lover
total and unforgivable traitor
or cringing victim of horrendous rape
they know not
shave her head
in a grotesque ceremony of humiliation
they do
nevertheless
mists of vampyric fumes i walk through
with poison-dart and the mana of fire
two daggers are in my belt
and the key and the lock rests in my separate hands
separate like the sun and the moon
or like flesh and man
or like love and romance
but conjoined
except for the last one
THE SEMIEN KINGDOM
the semienite kings erected stelae
to the kingdom of the struggle with god
ethiopian lands
under the flag of the star
judit war command
the queen casts her leather noose
and steers the forces of beta israel
into a battle of redemption and of honor
conducted in a strong and hebraic iron tradition
not even a holocaust could ever quell
WAR AND WILL
war and will
statues of heroism
bronze and terracotta
the hero-gaze of lapis lazuli
or coast-blue
or menses-red
the light emitted from
the unshamed worship of masculinity
cooled in the shadows cast
by great eagles with amber wings
and their beaks as diamond and pearl
held together the manichaean ubiquity of life
steel and marble dedications below their flapping wings
edelweiss and kruppstahl shine above in the horizon
the walpurgis fire luminating it
from down below
NOT ONCE
not once have my body become under attack
and not once blood have spilled to the ground
without I having exercuted proper reprimand
and not once it shall ever ever happen
war and will
retaliation
conquest
the valor of revenge
is a cultural-historical constant
and it is in the core interest of every healthy culture
to perserve it
and to nurture it
FOLD MY SOUL
if i could fold my soul just a thousand times
it would be as thick or thicker
than the conventional dimensions of space-time
TRIAL BY PUBLIC OPINION
female collaborator
passionate romantic lover
total and unforgivable traitor
or cringing victim of horrendous rape
they know not
shave her head
in a grotesque ceremony of humiliation
they do
nevertheless
11 jan. 2019
2019_1
86 – SPINALONGA POETRY FROM A LEPER COLONY
PARTS I-V
I
the lighthouse outside Spinalonga
how it collapsed a moon ago
or maybe many moons ago
not one person can remember
(not even the harbors nor the trees remember)
as the city of the lepers had fallen,
those with arms and hands left
and those whose legs still retained some function
founded and tended an Eden-garden
where weed and thistle first grew out of the towerfall rubble
and in the very middle of that garden
the lepers erected a d o l m e n
as in honour, an epitaph
in sacred and endless remembrance
of the mythic pharos which once stood there
they spellbound it with some hokus pokus magic
during forty days and nights of arduous ritual-work,
as to alchemically render it a watchtower anew -
and sometimes apparently magic fucking works
so nowadays
it emanates a light so strong
that even Leviathan becomes grumpy from it
as its rays penetrate the shallower waters
and rouses her from the deeps
a hundred-thousand fathoms beneath
the jasmin veil of night
s w a y i n g
like the dark eternity
a b o v e .
II
there was once a duchess on Spinalonga
a burdened widow of remorse yes
her duke had died from dysentery
and he had left beautiful paintings
which he had made from the the emetic eruptions
(which is to say, his vomit)
caused by the dysentery
and some of them still hang in the tower stairway
and once in this very tower had i a vision imbued by them
and it was a vision of the duchess herself
she was naked
and had an ancient woman's body
as if she had laid in a bog for centuries
and also she had very long black hair
which was kind of beautiful
had not her face been the face of a bloated human corpse
with eyes pushing out of their sockets
and her skin black as coal and leathery
her face was that of a sorceress
and her heart was black as the soot of life
and when she so opened her bewitching mouth
a serpent came from thereout
and bore speech to all the lepers of the colony
but as one of them did not smile and greet in glory the duchess,
she changed her mind abruptly
and the serpent retracted throatward
the duchess uttered not a word more
but only a haunting stare of death shook them
and - she remained silent;
she has not spoken since
III
the arch of Lazarus hangs welcoming
over the entrance to the brothel of lynched children
and as the rotting ones pass this gateway of sighs,
all the oubliettes beneath
which are hidden in the bedrock all around the island
smile in the sullen undergrowth
for we find in them, in the soil thereunder,
failed but courageous heroines,
the skeletal and obsequial remains of them,
their tombs and their old ossuaries...
and scratches from their nails adorn the walls ...
for not any wrath can outcompare the wrath of a leprous harlot
indeed there is no corpse which exudes
a sulphur-gas of odium more vitriolic
than the corpse of a wronged, hurt and vengeful woman.
may these spirits reach the angstloch
as to release themselves?
we need getting into the catacombs of Spinalonga
as to save them! or rather, what is left of these mazeways,
the ones which are buried under an age of rubble and ruin,
sleeping under ash and the golden pumice
from that forlorn time when the heavens had opened up
like childrens' mouths
and volcanic rock poured out therefrom
and cracked and broke thunderously
in a most wonderful play
of the gods
IV
i had a dream.
i understand now:
i am it
this tower! the lighthouse.
and i have fallen - but still
i guard the coast with hawk's eye,
and strike do i with beak and with claw
and terror shall not stop me in my tracks - if i am strong!
and i piss also in the ocean like gods do
with nonchalance and with bravado
i am i
in opia
with the devil's eye of storms
i am locked with it
as if punishment,
inside it, immured into it,
and the light i emit
is a light which leers like a sore
around which
beetles crawl
and botflies swarm
V
Spingalonga - island of death and rot:
concentration camp of human refuse,
citadel of the defeat of the human body
fortress of failed flesh
everywhere, rotten faces like faces of black haunting dogs,
maschalized infant botchings are scattered like drops of rain, and
young girls have been left in pits after their rapes and murders;
their mothers could no longer defend their daughters
for they themselves had perished in a morbid and self-inflicted marasmus
the world is built out of syringes, white powders, small plastic bags
and old lighters which do not work anymore;
the pazuzu-fever-plague of death and suffering,
all the molested and murdered prostitutes
without mothers and fathers to bury them;
all the holy martyrs of the wrong truth
which fought with valour for the wrong side;
all the betrayed resistance fighters
from Łódź to Lwów to Wilno to Warszawa
(peace be upon you all)
and the wailing spectres of pained ghosts
over the taiga of the eastern front
leprosy colony Spingalonga
welcomes all
Spinalonga is
like a brave new world
but a failed new world
a world reduced
to an exhibition of dirt and of excrement -
a world where coprolith
outvalues amber
and is regarded with higher aesthetic esteem
and it has become a world
a scolding earth
crisp from lava and flame,
scorched and burnt,
but confused still,
scared, and lonely, abject and aloof
indeed,
like
the human
PARTS I-V
I
the lighthouse outside Spinalonga
how it collapsed a moon ago
or maybe many moons ago
not one person can remember
(not even the harbors nor the trees remember)
as the city of the lepers had fallen,
those with arms and hands left
and those whose legs still retained some function
founded and tended an Eden-garden
where weed and thistle first grew out of the towerfall rubble
and in the very middle of that garden
the lepers erected a d o l m e n
as in honour, an epitaph
in sacred and endless remembrance
of the mythic pharos which once stood there
they spellbound it with some hokus pokus magic
during forty days and nights of arduous ritual-work,
as to alchemically render it a watchtower anew -
and sometimes apparently magic fucking works
so nowadays
it emanates a light so strong
that even Leviathan becomes grumpy from it
as its rays penetrate the shallower waters
and rouses her from the deeps
a hundred-thousand fathoms beneath
the jasmin veil of night
s w a y i n g
like the dark eternity
a b o v e .
II
there was once a duchess on Spinalonga
a burdened widow of remorse yes
her duke had died from dysentery
and he had left beautiful paintings
which he had made from the the emetic eruptions
(which is to say, his vomit)
caused by the dysentery
and some of them still hang in the tower stairway
and once in this very tower had i a vision imbued by them
and it was a vision of the duchess herself
she was naked
and had an ancient woman's body
as if she had laid in a bog for centuries
and also she had very long black hair
which was kind of beautiful
had not her face been the face of a bloated human corpse
with eyes pushing out of their sockets
and her skin black as coal and leathery
her face was that of a sorceress
and her heart was black as the soot of life
and when she so opened her bewitching mouth
a serpent came from thereout
and bore speech to all the lepers of the colony
but as one of them did not smile and greet in glory the duchess,
she changed her mind abruptly
and the serpent retracted throatward
the duchess uttered not a word more
but only a haunting stare of death shook them
and - she remained silent;
she has not spoken since
III
the arch of Lazarus hangs welcoming
over the entrance to the brothel of lynched children
and as the rotting ones pass this gateway of sighs,
all the oubliettes beneath
which are hidden in the bedrock all around the island
smile in the sullen undergrowth
for we find in them, in the soil thereunder,
failed but courageous heroines,
the skeletal and obsequial remains of them,
their tombs and their old ossuaries...
and scratches from their nails adorn the walls ...
for not any wrath can outcompare the wrath of a leprous harlot
indeed there is no corpse which exudes
a sulphur-gas of odium more vitriolic
than the corpse of a wronged, hurt and vengeful woman.
may these spirits reach the angstloch
as to release themselves?
we need getting into the catacombs of Spinalonga
as to save them! or rather, what is left of these mazeways,
the ones which are buried under an age of rubble and ruin,
sleeping under ash and the golden pumice
from that forlorn time when the heavens had opened up
like childrens' mouths
and volcanic rock poured out therefrom
and cracked and broke thunderously
in a most wonderful play
of the gods
IV
i had a dream.
i understand now:
i am it
this tower! the lighthouse.
and i have fallen - but still
i guard the coast with hawk's eye,
and strike do i with beak and with claw
and terror shall not stop me in my tracks - if i am strong!
and i piss also in the ocean like gods do
with nonchalance and with bravado
i am i
in opia
with the devil's eye of storms
i am locked with it
as if punishment,
inside it, immured into it,
and the light i emit
is a light which leers like a sore
around which
beetles crawl
and botflies swarm
V
Spingalonga - island of death and rot:
concentration camp of human refuse,
citadel of the defeat of the human body
fortress of failed flesh
everywhere, rotten faces like faces of black haunting dogs,
maschalized infant botchings are scattered like drops of rain, and
young girls have been left in pits after their rapes and murders;
their mothers could no longer defend their daughters
for they themselves had perished in a morbid and self-inflicted marasmus
the world is built out of syringes, white powders, small plastic bags
and old lighters which do not work anymore;
the pazuzu-fever-plague of death and suffering,
all the molested and murdered prostitutes
without mothers and fathers to bury them;
all the holy martyrs of the wrong truth
which fought with valour for the wrong side;
all the betrayed resistance fighters
from Łódź to Lwów to Wilno to Warszawa
(peace be upon you all)
and the wailing spectres of pained ghosts
over the taiga of the eastern front
leprosy colony Spingalonga
welcomes all
Spinalonga is
like a brave new world
but a failed new world
a world reduced
to an exhibition of dirt and of excrement -
a world where coprolith
outvalues amber
and is regarded with higher aesthetic esteem
and it has become a world
a scolding earth
crisp from lava and flame,
scorched and burnt,
but confused still,
scared, and lonely, abject and aloof
indeed,
like
the human
10 jan. 2019
2019
what will happen in 2019?
- a new N.S.B. kurdish electro technocratic sonic war ecstasy assault
- a brand fucking new SLUTET lp
- a definite SLUTET back catalogue (2014-2017) compilation through our ally Behest
- a LOVEBOY magnum opus interpreting the Holocaust through ambient sonic terror in reverence to its victims and the events, a final 2 hour piece wrapping this shit project up for good
- the definite completion of the "sword of angst" poetry anthology
- hopefully some other projects will release shit too, like SOUTHERN SPRUCE and AVGÅNG
- a new N.S.B. kurdish electro technocratic sonic war ecstasy assault
- a brand fucking new SLUTET lp
- a definite SLUTET back catalogue (2014-2017) compilation through our ally Behest
- a LOVEBOY magnum opus interpreting the Holocaust through ambient sonic terror in reverence to its victims and the events, a final 2 hour piece wrapping this shit project up for good
- the definite completion of the "sword of angst" poetry anthology
- hopefully some other projects will release shit too, like SOUTHERN SPRUCE and AVGÅNG
8 jan. 2019
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