31 okt. 2017

THE BEGINNINGS OF A PREFACE

There are enough diamonds in the world to give every person a cupful; yet, not every person has a cupful of diamonds. There is surely enough clean water on the surface of this earth for every person to wet the parching throat, even tens of times again; yet, children gulp their water out of the stream that is polluted, and they do so out of mortal desperation; out of the absolute scarcity of conducive water they drink from sewers, like dogs, and one ripe with empathy, one in chivalrous service, in knighthood for the world, would ask: is this a decent way of maintaining and caring for our children? In principal, every person would answer no, had such an uncomfortable question been posited, and the one courageous enough to answer yes would do so out of psychopathy on the one hand, or out of sheer and utter provocation on the other: is there a third alternative? This makes me think of  that  five-yeard old girl in the notorious novel, Brothers Karamazov, whom are forced to an outhouse in the blazing night of the russian winter; beaten, stomped on, humiliated; spat upon by mother; hit upon by father. That little child, the bundle of joy she could have been, was forced to eat her own excrement in grotesque confusion at the glaring stare of her two indifferent parents. Had your holy spirit been present, the one you love so much, with its crown high with compassion and with the evangels of benevolence we so often hear about lodged steadfast in its mouth, ready to speak out the truth, illuminate the way at any second - it had had the power to install the thought into the heads of these vile parents, and it would so have done; it would ask the vile parent: why do you do this to your child? The parent would not have answered. Maybe they would have uttered words, but that is not answering. That is responding; that is merely engaging the question verbally. That does not necessarily mean a single thing. Had they answered in their own courts, such a question, they would have been judged helplessly either into the perpetuity of their indifference, or to the dungeon of their self-insight, the revelation of this holy spirit, as if with an iron mask, one of shame, melted onto their faces for a lifetime – a lifetime of desperation and a gruesome regret, the guilt that could break the arduous will of even Gilgamesh, the sacred third king of Uruk: but no. That is too much to ask of a simple, pathetic fuck of a child-beater. They had been indifferent; neither out of pleasure, nor out of malignancy, and perhaps that is the most potent form of evil we may all know. And it is when we understand that we know that, and things of similar nature, that we may live in the beautiful forest; in this forest, the mares and trolls leer behind every log, the vipers of the north slither on the hoarfrost ground, and the fruits of revenge hang low from the tree of knowledge of pacifism and vengeance - so low even a five year old girl could rip them off the branches!

There is no justice except for the one you create for yourself. You want justice? Kill your enemy. There are enough diamonds surely in the world for everyone to get a cupful, but there is no judicial principle of equity to regulate this in practice; never has been, never will be. You can take your obsessions with utopian marxism, or, if you swing the other way, your pitiful doctrine of divine providence, and you may as far as I am concerned use them for toilet paper;  go ahead, do it. Here is no solace? The second coming will be all over your face, you whore of life,  not some Christ on a cloud above the ashes! You can forget about these things, as far as I know. Let me tell you: that girl, from the Brothers Karamazov fought for a handle on sanity; she crawled brutally in the grossness of her own waste, she weltered in it, she was forced to eat her own shit, for fuck sake: and you can not repeat the mantra, “it is just a novel; it is just a novel”; we both do know that even more, if so is possible, apalling scenes are played out every day on the stages of the world, around the world, for the world is the war of all against all, and allies are the most important thing you have. Yes, indeed, next to the combat-ability of yourself... and you can only run backwards into death in escaping of it: afront there is only war; only a beaten path of decomposing corpses, of grievous widows tearing with bony fingers the eyeballs out of their crania; I remember: a father, screaming, holding his boy in a panicked embrace, a torso no longer with legs to stand with, blood spurting, bones leering from the flesh distastefully, eyes flacking in the coming of death; He happened to find an IED to play with on the other side of the river... Left behind by true warriors, willing to risk the children. The father roars at the holy spirit, which is watching a bit shamefully from the distance, But the boy! The boy, is silent: he is not dead but she will be soon enough. May even children find a llure in the morphinous prestages of death, the seconds leading up to it, the final and irrevocable good? Who can know such a thing? But one thing is for sure, and it is carved into the rocks of human time: this is the justice we have, and obviously it is just present in ideal and theory. I would advice you to not feel so sorry for him - for not having been given that cupful of diamonds. All suffering will infect your soul until need to question yourself: what life is more important? Do I get to live as well, only I wanted it? And besides, if you should feel sorry for suffering people, then you should start with yourself, because nothing, except for perhaps sheer suffering, will grow out of this enterprise. Do you want to carry the blight of the world, the weight of terror's yoke on your bruising shoulders? Go ahead, you shall die from it. The son who played with the road bomb lost his legs, he will die from blood loss, if he has not already. His father will die of grief, that is a matter of time. Which of the two is worse? I ask you. It is an utmostly serious question. But do not feel so sorry for him, the little child. Tomorrow, he is a statistic.

Now, the father has more to lose; for every emotion you have felt, you have gained one more thing to lose. The more you have gathered, and for the longer time you have been gathering, the more you will feel when it disappears, for surely, we feel things the most when we do not have them. Welter in the riches of the world all you want: you can not understand what I am talking about before you have experienced it all disappearing from you, leaving you outside of it, unreaching of it... Be careful in this battleground. Houses are burning, dilapidating around us, and women wail of their rape on their way to the black market – they need now guns... children ward off demons in their closets while daddy beats mommy, everything blackens... and I? I write. This pen is my old uzi, and I execute begging palestinian children with it (don't sweat it nigga: it is a metaphor, and you should stop being so sensitive to words). Maybe I can turn my luck around; maybe there is repentence for me. Everyone sins in war. It is what it is. Virtue is seldom, but it is there. We all know beautiful, lustrous things. Once I saw a happy young couple, freedom fighters both of them, smiling at each-other, the last thing they did, before detonating their belts. They died as they kissed. I wonder how that must have felt. Was this a tremendous victory, a cause for celebration, commemoration, an act of uproarious courage? It does not matter what the shrinks and the kindergarten philosophers make of it, it will forevermore be the most beautiful thing I ever saw, a thing I may probably never live myself. War kills and the survivors cry afterwards, not stopping until they are dead and can cry no more. However, there is victory and overcoming in every war - should you want it, should you strive towards it. Why do you fight? Because you do. We all have reasons: do you protect your children? You want to be your childrens' wehrmacht.  Do you covet the prosperities of your neighbour? You want to welter in the riches and excesses of hedonia. Are you shooting with dirty needles the meth of evil destructivity, its ecstasy of the war you love to hate, losing yourself in the process of becoming the abomination we only whisper about in the shadows? You are lost and shall never come back, lest you slay the cave-dragon. Could you stomp the head of a child for it stood in the way of its mother, hurt, as you were so eager to ravish her as to lose all moral constraint? It happens, and that is the dragon of the cave. Can you slay it? People do. It happens every day. Maybe your true reason for fighting is because you can not feel the fight, you have no enemies. You are not even afraid of the dragon because you would not even feel its breath on your skin if it was in front of you. What a carneval of a life... Hmm. simply, maybe you just carry on because you are just afraid of your suicide; of killing yourself... whatever your pick would be, that last one is me... yes, that is my pick. As for now, that is what I am. I am afraid of the emptiness, the nothingness, more than I fear the great war. We all have dogs in this fight: some have little shit dogs while others have pitbulls and amstaffs; which dog is yours, and which dog is mine? You decide for yourself, and I decide for myself. And if we win in the end, I can do the final task, and you can do the final task. You can distribute all your beautiful and glistening diamonds however you would see fit; perhaps it is in you to hoard them like an ignivomous dragon beneath the stronghold, in the damp catacombs, slithering bitter like some basilisk. Or maybe it is more in your temperament, a kinder way? If your dream is for every person to have a cupful of diamonds, then go at it or kill yourself already. There is not much choice in between, except for crying, bruised all over, sobbing helplessly with your own feces colouring your cracked lips and your mouth like that five-year old poor girl in that Dostoevsky novel. Go ahead and choose; I have chosen for myself: As I have not yet commited to the task of ending my own life, I have chosen life. That is how this works, apparently. I do not yet know what this means, except that I, during the span of these lugubrious and toxic pages, will cry out the ponderings and the egregious effects of this decision onto you – your world is my mirror, and when I smash it, it shall break – I vomit words on you, reader; you probably do not exist, but that does not matter for me; I would not read this noxious, self-important garbage either. I only write for myself, but not in some noble, humble way. I do this for the reason everyone else does whatever the fuck they are doing: to gain allies, to deceive enemies. This diseased work is dedicated in heart and in spirit to my glorious sister, the freest person I have ever known. With you, everything is war – or love. I am loyal to you more than to no other. Yes: war – and love – forever.

                       Abu Bakr al-Uppsalawi writing from Sävja, Uppsala, Oct 31, 2017.

10 okt. 2017

the poem of the hopeless farmer

the farmer wakes at morning,
     weak with pain and ache;
there's no peace in sleeping in
     when mares will howl and shake;

with mordant scythe and sickle,
     he cuts in half his grain:

he sows therein a seed of death,
     esoteric as arcane;
the farmer stops at nightbreak
     in welcome of the dusk;
he grips his seed of death with warmth,
     while peeling on its husk...

whence shall his cup of nectar 
     dry like menopause;
how long shall grief outspan his joy,
     fear remain his cause?


 in his palm he holds his dream,
     the grains he cult in half;

 and as sun sets darkly ominous,
     back home he walks a path
embellished with the memories
      of his dearly loved spouse,

 to his hut built stern of timber-oak,
      cumbersome a house;

a viscid hearth of soot and blood,
 a sorrow black as led;
he sits down 'round its lonely flame,
  remembering why she's dead;
she grabbed the knife as bow in hand,
 aloof in hopeless mists;
she played her violin up-down,
  with beauty, on her wrists...


no scribe or bard can outcompare
     this master amongst men;

for one who sees the depths of love
     shall never love again!

philosopher and sage beloved,
     their tongues rest comatose;
for the farmer dreamt a poetry
     blessed with heavens' prose;
the visions overflood his soul
     like the great deluge;
yet he shall never build an ark,
    however great and huge;
for, as every day must die alone
   upon the cross of night,
the farmer sees his truest self
    absconding, like a kite:


 a bird took off, as white as clouds,
    an ugly, peaceful dove...
 which carried all life in its beak,
     a poem wroth with love:

 how long may life flow gutter-like
      with the poison of the asp,
 from the wound that birth cut deep
     but none can verily grasp?

 how can one not blame oneself
      when death knocks firm the door,
carrying verdicts to the young;

     calamities to the poor;
to life itself he has become
    the spiteful, bitterest foe;
now, how can the farmer, lost from love,
     reclimb that high plateau?


imps of grief and ghosts of doubt,
     by every step they taunt;
how long may the spectres stay,
     ...how they schreech and haunt!
a thousand nights, a thousand days,
      weary is he, old;
the bitter muscle of his heart,
     pumping weak and cold;

a final night he wept away,
    burdened by the guilt;
a final morn' alone in here,
    the house which sorrow built:

a knight of faith sobs silently:
    "now i'll come for you";
he swallowed then the poison-seed,
     the grain he cut in two.

4 okt. 2017

TO MOTHER AND TO FATHER

mother; father;
 it is you that have caused my misfortune
 and by doing so, you have dragged upon yourself
 this misfortune a hundredfold:
 what parent can possibly compass life
 with ardency; exuberance; vitality;
  with the knowledge
  that their child
  is warding off the despair-demons...
  ...and losing at it?
atrocious slave of birth am i;
every moon is ugly
  and the sun is only there
  when i have too much clothes on.
POEM TO FATHER JOSEPH MASKELL

...and streams of piss, warm as imbued with amour, wettened the holy catafalque,
as the circle of holy pederasts moved about withershins
around the columbaria
   of all childrens' bones ground -
not as an honorific gesture of remembrance, fuck no,
 but as to rouse these wicked dead,
 as to claim what is rightfully
    theirs.

 the congregation of the vicars touch themselves -
 and each-other -
 over the thought of ever getting caught red-handed
 by the spirits of the restless children,
which never were properly maschalized:
  why, you wonder? -
  because these men of filth could not bare the thought
  of ever putting a hatchet
     or a blade of cutting sharpness
  to the blazing cold flesh
  of their holiest and holiest of all holies.
M I N   T U N G A

min vederkvickelse - till världen -  är sotsvart -
   så som diamanter malda till stoft;
   mina ord dör sällsamhetens död på min tunga nu
     medan alla dess innebörder skiftar vidare,
        mellan varje olika färg och nyans
        livet möjligtvis kan mana fram...
        tills det jag ser framför mig
        är en regnbåge svart som horlivets fitta;
min tunga är den skarpaste diamant
du någonsin blivit bländad av
   en tunga
    som lyser
     svavelsolen
      över ditt hål där nere   
       medan jag slickar det.

alla mina ord
   alluderar
    existensen
     så som en rolös ande
      fastnar i spegeln
       framör den eviga
        och oåterkalleliga
         intetheten
          som virvlar där bakom.

2 okt. 2017

svenska för första gången på över ett år

 en nyans av skräpighet skimrar
   över kulturers dalklyfta
   som en chimär eller ett spöke,
   osaligt,
   som suktar
      efter
       hämnd och blod.

alla mina ord
   alluderar
    existensen
     så som en rolös ande
      fastnar i spegeln
       framör den eviga
        och oåterkalleliga
         intetheten
          som virvlar där bakom.
you understand me so badly
that you do not even understand
my complaint to you
that you do not understand me;
it all goes over your head.